Description

Good budget system comprised of used gear that soundstages pretty well despite an L-shaped main room. Have found once again found my old favorites on the second-hand market.. so have reverted back to them.. NEAR 50 me's.

I'm going to keep the Ocean Way Eurekas for a while longer to test with some GaNFET mono's I've just purchased, but with my current gear, the NEAR's have better midrange detail/depth (suits the listening I mostly do). The Ocean Way Eurekas are dynamic and image well, albeit not as freakishly so as the 50me's, and also have great low end for an 8" woofer (as do the NEAR's) but have a more refined top end. All that said.. they are also 8x more expensive than the NEAR's at today's prices.

These late production 50me mk II's I've just bought have the newer style (made in China) inverted dome midrange driver cone, so not quite as mass-less (transparent) as the older versions w/ flat neoprene surrounds w phase caps, but are more reliable.. and I believe the cabinets have the internal Teknasonic sound absorption devices. All drivers use the same spider-less ferrofluid centered driver technology. The Aleph 3 is driven DAC direct in the winter while the W4S monos take advantage of the Rogue preamp during the summer, and are a good impedance match. Investment is currently around 6k including the tube inventory at original purchase price (there are 2-3 more like tubes under each in that Pelican case). The NOS tubes in that case are worth more than the speakers and electronics, at today's prices. The Rogue Preamp began life as a Métis Magnum but at this point has had so many modifications and upgrades from Rogue's engineers it's a one-off with excellent detail and sound staging given its very low noise floor and the dynamics of the original designs unbuffered 6SN7's. The original Métis in its base config w stock tubes was a bit noisy. Not this one.
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Room Details

Dimensions: 22’ × 12’  Medium
Ceiling: N/A


Components Toggle details

    • NEW ENGLAND AUDIO RESOURCE 50me II
    Found one of the last surviving pairs of this model with the latest drivers and (presumably) Teknasonic sound absorbers. Very fast revealing high-bandwidth dynamic speaker with proprietary spider-less ferrofluid centered drivers. Not as hyper revealing as my old mk I's but more balanced and easier to listen to. 30yrs on.. the 50me has usurped many other newer more-expensive audiophile speakers (of all types).
    • Wisdom Audio SCS
    Transmission line subwoofer using a DSpeaker Anti-mode2.0 for DSP. Not going to rattle the walls unnecessarily, but very fast and very deep. A good match to the NEAR's, having crossed them over passively at ~65hz and 3/4 restriction of the ports with lamb's wool material. Basically, a significant improvement over a resonating box's rear port. Integration done with the LARSA app on an iPad.
    • DSpeaker Anti-mode 2.0
    Subwoofer room correction DSP. The Wisdom SCS uses an unusual transmission line design so DSP is absolutely required.
    • Pass Labs Aleph 3
    A bit more 'shove' than the First Watts offer into 4-6ohms (which I need with my speakers), and w/ Vandersteen's M5-HP passive crossovers, they have even more control, but still sounds cohesively natural.
    • Vandersteen M5 HP High Pass filters
    Helps the Aleph perform with 86db speakers. Jumpers set to cutoff at approx 80hz.

    Upper bass control and sound staging is greatly improved because I am able to restrict most of the rear port and the amp isn't troubled with sub bass frequency. A DSP is used to bring in the Wisdom Audio subwoofer at 80hz.
    • Wyred 4 Sound DAC-2 DSD
    Using PS Audio Lan Rover ethernet.
    • Wyred 4 Sound sx500 monoblocks
    Summer amps.. dark but still very detailed. Not quite the 'whole cloth' sound staging that the Aleph3 offers, but nothing troubles them and they still have a smooth, sinewy character that's easy on the ears.
    • Rogue Audio Métis Super Magnum 'Black'
    Factory modded to Super Magnum by Rogue, and custom matching anodized knobs and stainless hardware was retrofitted. NOS Tung Sol VT-99's (with adapters) dropped the noise floor to all but inaudible while keeping all the goodness of the VT-231's. A great paring to Wyred's early Class D.. weaves it all together.. great depth.
    • Harmonic Technology Speaker Cables, Interconnects
    se & balanced
    • Nordost Speaker cables, Interconnects
    Blue Heaven
    • Lexicon BD-30
    BluRay Player based on Oppo 83. All HDMI signals are carried optically, and the audio is converted to I2S for the DAC's input.
    • JVC DLA-X700R
    Excellent projector.. but.. bulbs.
    • Cavalli Audio Liquid Carbon
    Headphone amp for movies driven from main system DAC. All I do is swap the XLR's from the Wisdom subwoofer.
    • Orchard Audio Starkrimson GaNFET monos
    ..using a Pecan Pi as source. Potentially to drive a RAAL SR1a.
    • LessLoss various digital
    Power conditioning
    • LH Labs Go2a Infinity
    Portable ESS DAC class A amp which sounds amazing using an Uptone Regen (which allows it to be powered by a LiPo clothing battery).
    • Dan Clark Audio Ether CX
    Sealed headphones
    • SevenHugs Smart remote
    Great smart remote.. unfortunately out of business
    • Blue Circle Audio Various
    Power conditioning
    • GeekPulse X-Fi
     X-Fi with LPS headphone amp. Class A, ESS 9018. Also uses a Matrix Audio USB audio interface (externally powered by GeekPulse LPS) mounted in my workstation.
    • Ocean Way Audio Eureka
    Very large 2 way with Sound Anchor Signature stands. Very heavy to move.

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