Description

I wanted to share a my journey with what’s become a true passion project: curating a small but exquisite collection of Garrard 301s from around the globe. 

Each table in the collection reflects individuals passion to restore classic Garrard 301 / 401 with exquisite finishes, tweaks —some in original spec, others tastefully upgraded with modern bearings, platters, and plinths (Woodsong, Artisan Fidelity, etc.). From pristine grease bearings to rare cream and Hammertone finishes, every unit has its own story and sonic character.

What continues to amaze me is how versatile and alive these decks sound—especially when paired with carefully matched tonearms and carts. Whether left vintage with classic arms or modernized with state-of-the-art components, the 301 or 401 remains a force: rhythmically sure-footed, emotionally engaging, and always fun to listen to.

Sure, modern designs may edge it out on absolute quiet or spec-sheet precision—but for me, nothing else spins music with quite the same soul.

Would love to hear from others building or restoring their own 301’s or 401’s. What combos, plinths, and tonearms are you running? Let’s keep the legend alive. 🌀🎶


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    • Garrard 301

Comments 2

Owner
@dtorc Well stated, “The point is not the absence of noise, but the presence of music”.  I’ve always dreamed of owning a Garrard. When I finally set out to build my own 301, I knew this wasn’t just another project—it was a path toward a destination turntable. It’s been two years of deep dives, research, trial, error, and discovery. Not quite done yet, but I’m finally close to the finish line (will share photos of my setup soon!).


In the meantime, I thought it would be cool to share some turntables that inspired me along the way—pieces of analog art that helped shape my own vision. Would love to see what inspired your journey too.

lalitk

Those are very beautiful things! I think some of the choices you made for these 'tables were very surprising - particularly the one with the red lucite base, and also the stainless steel (or whatever) base that is the same size as the turntable. I love that one, and that surprises me. 

I have a refurbished Thorens 124, and I made a simple rectangular baltic birch base for it. It works for me, but is nothing like the sculptures you have created.

I describe my 'table as a "farm truck" - a little noisy, and it requires attention - it is not set it and forget it. But I love the way my records sound with the idler drive, so for now, I put up with its imperfections to bask in its strengths.

As someone told me long ago "The point is not the absence of noise, but the presence of music." That is what an idler drive gives me... 

dtorc

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